In his feverish, chiaroscuro portrait, Jarman sketches the life of the Baroque artist Caravaggio, who associated with male lovers, prostitutes, and the criminal underclass of early 17th-century Rome. The opulent, dazzling film brings together Jarman's key themes: the plight of the artist, homosexual love, and the hypocrisy of ecclesiastical authorities.
Tilda Swinton played her first film role in Caravaggio, the beginning of a long and cherished collaboration with Jarman, who would cast the actress in all six of his subsequent films, including Edward II (1991).